Sunday, April 28, 2013

The Awakening


1
Johann woke in the dark of night. It was just after 4:30 in the morning. It was a pattern, this waking so early, then not being able to sleep.

He had been having a dream. He could remember only the last moments of it, his daughter looking much younger than her thirty-nine years, looking up at him, saying "Don't complain, Dad."

That would be her mother's words, he knew, something Marilyn would have said - probably had said - more than once, especially during the last year of their marriage, over now more than twenty years.

He found his slippers and robe in the dark. The living room of his small house glowed a dim eerie blue from a street light on his curtains.

For weeks now Johann had risen like this, half asleep, half dreaming perhaps, before dawn. Peered out the corner of his curtains to the dark yard and half-lighted street. Unwilling to turn on any lights yet, he felt his way about the kitchen to make coffee. Filled the carafe about half full, feeling with one finger for the level; pouring it into his coffeemaker by feel.

He liked doing it in the dark, sometimes with his eyes closed, pretending he was blind just to imagine what it might be like to live with such an infirmity.

He pulled the lid from the Folgers can and suddenly remembered he had used the last of his coffee the morning before. He didn't realize until then that he had been holding his breath while performing the coffee-making ritual. He let it out suddenly between pursed lips.

"Damn."

He had meant to get more. Morning coffee was important for him: the heat and aroma and bitter taste. The change in his body temperature, and in his temper after a cup. There seemed something wrong with the morning without it. Something wrong with him.

This morning wasn't going to be like the other mornings then. He'd have to wake up another way.

Back in his bedroom, he turned on the bedside lamp. First light of the day. He dressed and made sure he had enough money in his pocket to buy at least a large cup at the convenience store three blocks over. If it was open this early, which was a question, since he'd never gone there before the sun was up. No matter. Tie his shoes, grab a light jacket, and out the door.

2
The neighborhood was as silent as his house. Half a block south, then east down the development's main street, toward the ocean. Sometimes he could hear the surf from here, when the wind was strong enough to produce a surge against the harbor's outer wall. This morning, nothing.

There was one car in the Break Time lot but the door was locked. Johann could see a short dark haired man moving about behind the counter. A sign on the door said "6 AM to Midnight". That meant at least another hour. He knocked.

After three tries, the man came forward and unlocked the door.

"We're not open yet," he said.

"Could I just get a cup of coffee?"

Dark eyes, curly hair, a little paunchy, the manager looked hard at Johann. "You're alone? Don't you live up the street? I've seen you in here pretty often."

"Alone, yes. Coffee. That's all I want and I'll be out of your hair."

The man gave a half grin and held the door open to let Johann in. He locked it carefully after.

"Come on to the back. I don't want anyone else to see I've let someone in early."

"Thanks," said Johann. "Thanks a lot. I just ..." then he shut up and followed the man to the back of the store.

Mo, the manager said his name was. He had already started coffee. "It's the first thing I do," he said. "It's how I start my day too."

Johann laid two dollars on the counter. "I can see you're busy. I'll go."

Mo let him out, waved a farewell, and locked the door again. Johann walked back to the main street and turned east again. One block over was the breakwater. He could feel a breeze just starting, flowing gently over his seventy-two year old parched skin and fine hair. He found a bench and sat, enjoying the early morning dark and the warmth of the paper cup in his hands. He sipped it carefully as it cooled, then popped the plastic lid off and drank the rest.

3
He was surprised when he woke from dozing, despite the coffee. Or maybe the warmth of the coffee had put him back to sleep. The morning was warm enough, though the breeze was now a light offshore wind. His lids were heavy and his eyes felt puffy; his skin damp and clammy. He felt overwhelmed by tiredness and the smell of brine and decomposing sea weed, both stronger than he remembered ever smelling it. He rose, his knees cold and his thighs stiff.

The sky had lightened to the color of dark lead. He could see the outline of the breakwater now, and the motion of the larger boats anchored in the harbor to his right. Farther out in front of him, the indistinct edge of the world, where the gray Atlantic curved away from sight.

Walking toward home, he wanted more coffee. Break Time was still not open. Johann decided not to impose on the store's manager again.

4
On his way out of the house that morning, Johann had turned on the kitchen light and browsed through the shelves of the pantry that Colin, his son, had built for him the year before. No coffee, as he expected, but there could have been. His poor memory for such things meant he might have squirreled some away and forgotten about it. The pantry reminded him that Colin had not been around in months. His son was now in his forties, as tall as Johann had once been - six foot, or more. But much heavier. He thought that must come from Marilyn's side of the family. Her father had been a barrel-chested man who put on a lot of weight as he aged, then died quietly of heart failure while cleaning the pen where he kept goats.

Johann had been six foot tall but now was closer to five-nine. Bone shrinkage, the doctor said, and prescribed calcium pills. He was thin though, not like his son.

"You should watch that weight," he had said to Colin as his son carried in the lumber and tools to assemble the pantry. He said it because Colin was sweating and breathing hard. It had been summer though, and a warm day.

"Okay dad," Colin said, not looking at Johann, arranging his tools and fitting a drill bit to his cordless drill.

"It's just, well, you work in an office? Don't get much exercise?"

"Yeah. I walk quite a bit though, one office to another. It's a pretty big bank. And when I get home ..."

"I worry, is all," said Johann.

"Dad. Don't worry. What good does that do? I take care of myself. So what color do you want this thing to be? I'll have it put together by lunchtime, then I'll go get paint."

"Have you heard from your mother?"

Colin steadied a tall side board against the wall and marked holes for drilling.

"I mean, birthdays and such?" said Johann.

"Yeah. Birthdays and such," said Colin.

"How is she?"

"Dad, you should just call her. Why not call her? She'd like to hear from you."

"She could call me."

"She doesn't hear from you, Dad. She doesn't know if you want to talk. She doesn't want to make you mad by intruding."

"Make me mad? Why would that make me mad?"

"Dad ..." Colin said, then turned away and lifted his drill. "I'll clean up the mess when I'm done here, okay? It's wood chips mainly."

5
The sun was coming up behind Johann now, casting his shadow far down the sidewalk as he walked back toward his house. He turned around to see it but it was too much, too blinding, too white hot and red. He could feel the pressure of it on his back, warming him, and the lifting sea breeze that cooled him as it pushed him toward the shadows of the trees and houses ahead.

He should find all of this beautiful and refreshing. He used to feel that way, especially in the mornings, watching the ocean's horizon for the sun to burst forth the day. He tried to remember the last time he had felt that way. Sometime after he'd moved down here, he supposed, or maybe before that even, while hunting for a house to buy for his retirement. That would have been more than three years ago - had he changed that much?

He examined his shadow, now about to disappear into darkness: thin and long. Long because the sun was so low, and because he was still a tall man, he reflected. Not as tall as he was - getting old reduces you, makes you smaller. A thin shadow because he was getting thinner. Colin's appearance had surprised him from the start: stocky; not at all like his father. And Elaine too, plump at birth and rotund. She'd thinned down by the time she reached high school and now she kept herself fit with regular visits to the gym.

But Johann, a regular cornstalk his father had called him as he gained his height. Like a beanstalk growing into the sky. His favorite story had been that of Jack the Giant Killer. But, Johann reflected, he was no killer and there had been no giants. Instead, he made his life's work about stories and myths and fairy tales, and the novels of his countrymen, metaphors for truths so hard to express in other forms.

6
"Dad, you think too much. Negative stuff. And you take things too seriously," Elaine had said while pulling boxes of clothes and personal possessions from her rusting Corolla. She had showed up unexpectly a week ago, announcing herself with a rattling muffler and coughing engine and a sudden screech when she opened her driver's side door.

She hadn't said it right away. First it was "Hi Dad. I'm driving to Oregon to start a new job. I just wanted to stop to say hi before I left."

Johann hadn't seen Elaine since the summer before, months ago, when she had driven south the hundred miles from where she lived. She had a new boyfriend then.

"Carl wanted to see where you lived," she had said then. "And, you know, visit the beach and stuff. We're thinking of driving on down to Canaveral to visit the space museum."

No Carl, this time, and predictably, no call.

"A new job? I'm flattered you drove this far out of your way to see me first, but Elaine, how do you expect to get all the way across the country in this thing? It's a heap. You'll break down before you get to Tennessee."

"Maybe, but I've got to move out there right away. I've got this job. I've got to start and find a place to live. It's in Portland."

"Portland? But this car of yours..." said Johann.

"This car of mine. Don't start, Dad. It's all I have."

"Take mine." Johann said this without thinking. He held his breath, thought about taking it back, held his silence.

7
They agreed to trade. They both knew Elaine wasn't likely to make the west coast in her old car. Johann's car was a couple years old, low mileage and excellent condition. Elaine moved everything she owned from her old Corolla to her father's Mazda. They split a sandwich, corned beef and Swiss cheese on rye bread, and a beer. Elaine hugged him and promised to keep in touch. Then she was gone.

8
Johann approached his house. This business of living alone. It had been what he thought he wanted, after living in the city and raising a family. Even when Maggie left him it didn't feel wrong - she was so much younger. It was a chance for him to rediscover himself as well, he told himself.

But lately. He'd chosen the little house in Florida near the coast. The breezes, the birds, the smells, the sound of surf. The storms. It all appealed to something in him that he didn't know he was missing until he visited his old friend Chas who had retired here.

Nothing's changed, Johann reflected. Except maybe himself. After all, didn't he believe that people were always, from birth to death, works in progress? Evolving ever into slightly new forms of themselves, for better or worse?

The walk had felt good, and the coffee, but now he wanted another. He'd have to go to the store this morning, get some coffee, come home and brew up a pot.

Staring at his house half a block away now, something didn't look right. Then he remembered. No car.

If he meant to drive Elaine's car at all, it had to have some repairs. The day they traded, he had taken it to Chas's roomy double car garage, where his friend worked on his own and friends' cars as a hobby and for extra income.

The store was much too far to walk. So, no car. And no coffee.

9
He was certain he had none until he entered his kitchen and pulled open the freezer door. He didn't know why he opened it - what had been on his mind? What was he looking for? He couldn't think. It was just an action, automatic the way pulling a chair out from a table might be automatic. What he found was a bag of excellent Kona coffee beans Elaine had given him for his birthday.

He knew the moment he saw them that's where they came from, but he didn't remember it - the birthday visit, the gift. It was a blank, an unknown.

What else had he forgotten, he wondered, and immediately dismissed the thought. You can't know, he thought. You can't know what you don't know.

That at least was sensible, if not very helpful. Was this forgetfulness a pattern? How would he even know that? The beginning of senility? Alzheimer's?

That all seemed ridiculous. "Don't worry about things," Elaine had said before she left on her long trip. "Don't worry about me."

But Johann had coffee now. He found the grinder and made a full pot. This, he thought, will help me wake up.

10
It was late morning when, comfortably settled in his overstuffed reading chair, the light on over his shoulder and a novel spilled into his lap, Johann woke up for the third time that morning.

The cup of coffee on his side table was empty. Warm and soothing, it had stimulated him for a while, then acted on him as a soporific. The book, too, "Gravity's Rainbow," Pynchon's self-indulgent sprawling novel about the bombing raids on London near the end of the second world war, this too had put him to sleep despite the coffee, despite himself. Johann had tried more than once to get through this book, feeling it necessary, but the result was always the same. About half way through it always became too much to bear, too internal, too rambling, too pretentious, an overblown dream.

He poured himself another cup and took it outside. Fresh air, that's the thing, and moving about. The Florida sun burned his skin, hurt his eyes. The sun didn't used to burn like this, did it? He wanted shade but there was nowhere to sit. He felt jittery now, too much coffee maybe and waking up, it always left him dazed.

Johann had the feeling he wasn't himself, whatever that might mean. Not who he thought he was, not who he wanted to be. All his life he'd thought himself the good man, the smart man, doing the right things at the right times for the right reasons, and hadn't he been all of that? Married and fathered children and provided for them all, and educated himself and his kids and done his best to be an upright citizen? Was that who he had been, all those years? And even if he had been, was that enough? Was that who he was, or who he was meant to be?

These are crazy thoughts, he knew. Alone. I'm too much alone or I would never delve into such dark thoughts. Too alone and still asleep. He remembered a scene in Aldous Huxley's "Island" - the narrator walking through a forest surrounded by parrots taught to shout "Wake up! Wake up!"

Was that a true memory? Was that actually in that book or had he made that up? Johann wasn't sure, but it was the message of it that mattered. Wake up. At seventy-two he was falling more into his mind, more into darkness, a daze, more out of the actual world, than ever he had been, and this felt wrong. This was not how he meant things to be. What he wanted, he knew, was to wake up, to feel alive and connected to the world. Engaged. How, after all this time, does one start to do such a thing? Was it even possible?

On his feet, outside, there seemed no place for Johann to go, he realized. No new thing for him to do, no door to a new place or a new self. What ending to this story could there be except death? No, he wasn't ready for that, not even close. He would, as Elaine had advised him, not think about that yet.

He set down his coffee cup on the stoop, closed his door and walked back toward the harbor. This was little enough, but he must do something. This place was where he found himself at this moment in his life. He had come here. It may not matter which direction he walked, really, but he felt he might as well walk toward the sun rather than away from it - enact the symbolism, that was something, wasn't it? Surely that must lend this moment some fraction of gravitas. Even if this were the final chapter of his life, mightn't it bring some hint of meaning?

Tuesday, February 19, 2013

Attraction

Michael spotted a breakout session at the Reality Formation Conference at the Moscone Center in San Francisco. It was called "Attraction: A Comprehensive Model of Reality Formation." It featured five panelists: a physicist, an astrophysicist, a psychologist, a neurologist, and the host/convener, a young man from MIT's Learning Lab.

"Anything attracted to something else usually follows a similar pattern," he began. "First comes awareness, if consciousness is involved, which is not a requirement. Second, the beginnings of movement toward the attractor, followed by an often irresistible fall into its embrace."

The audience tittered a bit, then fell silent, as Todd, the leader, brought up an image of a planet circling a sun.

"There are many examples of this procession, which we'll call Attention, Mild Attraction, and Fatal Attraction. I could use more technical terms, but what I hope to demonstrate is a general theory of attraction, best expressed in general terms." Todd flipped on a laser pointer and pointed to the planet on the screen.

"We're all familiar with at least two examples of Attraction. This one, of course, is gravity. As two objects approach each other, the force of gravity will begin to affect their trajectory. Let's say that when a change in trajectory due to gravitation can be detected, the two objects are in a state of Mild Attraction. As the force of gravitation increases by the square root of the distance between objects, the closer the objects come to each other, the stronger the pull, or Attraction. Assuming gravitational attraction isn't sufficiently counteracted by, say, centrifigal force, at some point the pull of gravity will overcome the inertia of the two objects, and they will fall into each other. That point of no return, we can call the point of Fatal Attraction.

"We know the same forces apply to magnetism. The mathematics are the same. What other examples of Attraction do we know about?" A hand shot up.

"What about sexual attraction?" said an attractive woman. The audience laughed.

"What's that? Sexual attraction? I wouldn't laugh. Our work leads us to believe it works the same, though it's much harder to measure, and it's complicated by the various dynamics of psychology, physiology, and cultural and social pressures. The extent to which sexual relations between unmarried couples is condoned. Or maybe when was the last time each person bathed." More laughter.

"Surely you've set up studies to try to measure that at MIT?" added the woman.

"We'd certainly like to," said Todd. "We just need sufficient numbers of scientifically minded volunteers like yourself to help us get started," he said, winking and smiling at the woman.

(excerpt from work in progress)

Monday, February 11, 2013

Still Pool


A god and a goddess sat on a park bench. In front of them, on another bench, sat a man, facing away from them. He watched his lover, who played with their child in the field beyond.

The god and goddess whispered to each other. Each watched the man: the god watched his head and saw his thoughts. Though fleeting and coiling in among themselves, as thoughts tend to do, they were tinged with hope, respect, curiosity, even wonderment, tempered by thoughts of how he might improve the lives of his loved ones. The god saw, too, worry and concern appear and then dissipate like sudden bursts of steam leaking from the valves and joints of a mighty engine.

The goddess watched the man's heart and saw his feelings. She saw the gentle pull of physical attraction, deep calm love, not just for his mate but for the child and all the other people around them. She saw compassion and grace, all tempered by a sense of humility. Around the edges hovered flickers of fear, like tiny flames unable to find sufficient tinder.

The god and goddess, lovers themselves, giggled and whispered and seemed to come to an agreement. Each pointed to the man, the god to the man's head, the goddess to the man's heart, and slowly drew their fingers toward each other until they touched.

At that moment, the man's thoughts merged with his feelings and a great sense of focused contentment and acceptance replaced the wildness of his thoughts and feelings. All fear, all disappointment, all concern left him. He felt unified and capable of facing any challenge. He sat very still, the better to contemplate this moment, which seemed to him like a deep pool grown calm in the aftermath of a life-long storm.

With this, the two gods rose, linked arms, and wandered off in search of new adventures.

Friday, January 18, 2013

Isn't It Grand, or Ten Hundreds

1
It's not writer's block. For that, I would have to want to write. True, I enjoy words when they flow like a river, or move like a panther, with their own will. I enjoy it less when, as now, they are forced from me by an invisible pressure on my mind, as if an invisible gangster held a gun to my temple and whispered in my ear, "Write something."

Fingers hovering over the keyboard, unable to move for lack of direction, I might whimper back, "Write what?"

"You know what," he whispers back, a malevolent glint in his invisible eyes.

2
Zen tells us that the journey of a thousand miles begins with the first step. But that's only part of the story. I can tell you that the journey isn't a real journey until you've walked the first hundred miles. Then you can think about what it's going to be like to walk that nine more times.

The gangster in my head throbs. Maybe he's only a headache, or some sort of vitamin deficiency. "I'm not going away," he whispers. "Keep writing."

"Why?" I ask. I'm feeling bolder.

"Shut up. I want ten chapters. No more, no less. Got that?"

3
It occurs to me that he's testing me. Will I revolt? Walk away? Phone for a pizza and turn on a game show on TV? But what if I can't shake him? If he's inside me, in my head, what then?

But he's annoying me. What kind of man am I if I don't try to regain control of my life?

"Leave me alone," I say. I say it out loud, as if he were a real person standing behind me, just beyond my peripheral vision.

"Ain't gonna happen," I hear in my mind. That soft intimate voice, so close.

4
I can't stand it. I throw on my jacket, put my cell in my pocket, and head out the door. Away from my laptop and hopefully away from that voice.

Out on the sidewalk, I flip open my phone and call Sarah. My lifeline, she is. My friend. Maybe my best friend. Hell, maybe my only friend, so I try not to intrude on her too much. But this, I've got to do something.

"Hi Sarah?" I say when she answers. She's at work. "Yeah, it's Mark. Got a minute?"

She does, but only just. I pace while I talk.

5
"I'm in a little bit of a pickle," I say. "I've got this thing," But wait. I can't tell her I have a voice in my head, with a gun, for cryin' out loud. That's just crazy. And what could she do about it? "This, uh, problem. What? Well it's hard to describe. Wait, never mind, okay? It's nothing, never mind. Bye." I can't go on. I don't know what to tell her. I flip the phone closed. Hang up on her, something I've never done before. I look down at the phone, dumbstruck. I turn back toward home.

6
Settled back on my laptop, fingers over the keys. What else can I do? I can't just do nothing, which is what I've done for so long now that I can't remember the last time I wrote anything worth half a read. Why can't I write? It's more than just my dissatisfaction with myself. That's easy to deal with, as long as I can afford pizza and ice cream. It's this new thing, this pressure and the gun. It's life or death now. Squeeze something out or have my brain blown out.

I go to the fridge, get out ice cream.

7
"What are you waiting for?" whispers the voice. I feel the gun pressing harder now.

I whimper, sitting back down and spooning ice cream into my mouth as fast as I can. "I don't know what to write."

"Just make something up! That's what you always do. Something out of nothing, isn't that the creative challenge?"

"Uh," I say, ice cream dribbling down one side of my mouth.

"What's the problem?" There's a gravely edge to the voice, an impatience that frightens me.

"I need something. Structure. Boundaries. Constraints. Otherwise the canvas, so to speak, is too broad. Too white."

8
I feel the voice in my head shaking, not in anger now, but in amusement. "Structure? That's easy. Here's structure for you. Give me a thousand words. Exactly. Tell a story, a real story, in exactly a thousand words. Not a word more or less or I'll end it for you. Got that?"

"Uh huh." I say. "Yeah. Let me think."

I start typing: "Sarah was a sweet thing of twenty. She stared at me intently as I unbuttoned her blouse."

I look at what I've written, consider where this might go for a moment. Then I erase it all.

9
I run out the door, damn the voice, damn the gun. It isn't fair, this making me write about Sarah, or about anything. What am I to stories, or stories to me? Must I be held hostage to them, to the damnable flow of words? Must I die for them?

On the sidewalk, surrounded by the building I live in on one side, tall fences on the other. There's no way out. A fine day, though, I think. A fine day to die, if die I must.

The voice is still there, I can feel it. A gentle flutter within.

10
Feeling calmer, I walk back. Sit at the laptop. Gaze at the still empty page.

"It's all good, Mark. You're fine, my son. Fingers on the keys, empty your mind. Now, give me a thousand words, ten chapters of exactly a hundred words each, please."

All tension drained, I feel I can do this. I type: "Sarah stood still before me..."

"Don't write her," the voice said quietly. "You. Write who you are. What it means to be a writer."

I blank the page again, then write, "It's not writer's block. For that, I would have to want to write..."

Thursday, October 25, 2012

Festival of the Lift


(Recycling a favorite here. Besides, it's almost December of 2012. So in honor of the End of Everything As We Know It, I present ....)

None of us knew why they called it the Festival of the Lift. Word went out, be ready on this date. Settle whatever you need to settle because we're lifting off. We didn't really care what it meant, Jackie and me. It was a party, no question. We were ready for that.

Of course, things had been getting strange for some time, what with the sounds coming from everywhere, deep whines and sighs and hums, indistinct at first, then louder and clearer, a buzz in our ears that everyone got used to because we had to. No one knew what it was, and truth is, no one cared that much, because what came with it was a rising sense of … what? Peacefulness, a kind of relaxed cheer that held a sense of optimism.

We talked less as the Day approached. Some of us, Jackie included, stopped speaking completely. She didn't need to, at least not to me. I knew what she meant by every gesture, every expression. As she grew silent, her eyes seemed to grow larger and to shine. It seemed to me she was seeing something, maybe many things, that the rest of us could not see.

On the final day the bells began, chiming away the hours, then the minutes. The colors of things, which had been growing brighter and sharper daily since the announcement, began to mix with each other, to shimmer and glow. Night had been gone for some time now – the light and colors had been different, but always present, always visible.

Our imaginations were in high gear for this event. It felt like every thought we had, every memory, every fantasy, could become real at any moment.

The morning of the Lift, the sky changed from flaming yellows and oranges of the night to morning's magenta and pink. It was like the changing hues of the wings of a monarch butterfly caught in the morning sun.

Vague motions near the horizon. My body felt ever larger and lighter. My mind too. Conversation was getting a little hard to imagine under the circumstances. “How you feeling?”

Jackie grinned at me, her face like a piano wire being drawn tighter. “Ha,” she said finally. “Ha!”

Things began lifting around us, rising gently into the air. An old hotel model armchair, overstuffed and dusty, rose without rocking from the front yard of a house. In it sat a tiny woman, hands clasped, body relaxed, a comforting aura about her, wearing a beatific smile. She looked down on us as she rose. The chair turned like a leaf in an eddy until she had beamed her smile down on all below. We smiled back at her, sensing that our turn would come. Then a bench rose, and stones and a tree, and then … everyone.

I felt colors playing over my skin, under and through me, like music. I realized I wore no clothes and couldn't decide if I had actually been wearing any before, maybe not for a long time. All around me people arched their backs, facing the eastern sky and then I realized there was no direction; there was only up. The earth had dropped away, or gone transparent, and in that boundless sky, I saw there were planets, it seemed you could touch them, all lined up in an arc, Jupiter leading Saturn and Venus and  the rest, moving closer in perfect time to the music we sensed but could no longer hear. I realized that was it, it was the music from the planets, we heard it all the time without  knowing we heard it and it made all other music comically weak by comparison, making us yearn to hear more and join in that song, hearts ringing like bells and yes! we were bells ringing joyously to this music ... and I was happy yes! except there was no longer a me, we were a union just perfectly happy to be moving toward those spheres, toward a body I could find no words to describe, could not even imagine, but I could see Jackie's face, a cloud of joy before me, and she knew ... she knew ... she knew.

Friday, October 19, 2012

Tears of Joy


The most frightening moment of my life
Was when I spoke words of such
Painful beauty

That they made you cry

And I realized you wanted me
To do that

Over and over again

And I  had no idea why I
Wanted to do such a thing

To anyone
Let alone

To you

Thursday, September 27, 2012

Daddy's Girl


Debbie pulled her aging Old's 88 to the curb across from the two story clapboard, once white, now a mottled, weathered, gray. She was assaulted by the familiar odor of rotting leaves masking the smell of garbage and rotting shingles. Her sister stepped down from the porch of the house they were raised in and walked across the street. "You gonna come in this time?" 

"How is she?" Debbie spat the words. 

Dark hair tumbling across Megan's face couldn't hide her expression. Mad. She had a right to be, Debbie knew. But she'd be damned if she'd admit that to her sister, or to her mother. She could see the glow of a cigarette just behind the screen door opposite. It was a standoff. Her mother wouldn't come out, and Debbie hated going in, to admit she'd chickened out. Ran away. 

"Look, don't do this," Megan said. "It's dad all over again." 

Debbie turned off the motor, gripped the steering wheel with both hands and lay her forehead on her knuckles. "I'm not like dad!" she said in a low growl. "I'm not!" 

"Then come inside. She doesn't have any of the old bite left, I can tell you. She's mom, and she's tough and she won't be sweet. But dammit, she really needs us both right now." 

Debbie sighed. She hesitated, then opened the door. "Shit," she said, climbing out. "Shit."

(9/26/2012 - Lascaux Flash Fiction contest entry)